Mori Yamato’s ’69 Jewel Beetle’: A Portrait of a 19-Year-Old’s Luminous Journey

artwork Album

Mori Yamato’s debut album, 69 Jewel Beetle, released on May 31, 2023, is far more than a simple first step; it is a profound culmination of his teenage years. The album, a fusion of his identities as both a masterful guitarist and a singer-songwriter, encapsulates his inner growth and musical exploration. The title itself is a symbolic key to its purpose: “69” represents his June 9th birthday and the six strings of his guitar, while “Jewel Beetle” signifies the colorful, multifaceted nature of his music. This album is a tapestry woven from his personal narrative and diverse musicality, glowing with a unique brilliance. Composed since his move from Hokkaido to Tokyo in April 2022, the record is a repository of a 19-year-old’s emotional kaleidoscope—the struggles of city life, the thrill of new encounters, and a developing sense of questioning society.

Overall Theme: A Journey from Nature to Urban Life The album’s overarching narrative is a journey from the tranquil, expansive nature of Mori’s hometown of Rausu, Hokkaido, to the inevitable friction and complexity of urban Tokyo. His musical roots are deeply embedded in the rich wilderness of Shiretoko Rausu, but the move to the city marked a fundamental shift in his creative process, moving him from an autobiographical, nature-inspired style to crafting message songs that grapple with societal issues and human relationships. This transition from a “distant world” to a place where friction with others is unavoidable expands his work from personal introspection to a universal exploration of questions about coexistence. This core theme of duality—past vs. present, home vs. city—forms the multi-layered story of the album.


Track-by-Track Review: A Lyrical Odyssey

The album unfolds like a poetic odyssey, charting a journey from internal despair to external connection and self-realization. While the opening and closing instrumental tracks, “Prologue ~drift ice~” and “Epilogue ~evening calm~,” bookend the narrative with a sense of natural tranquility, the lyrical songs at its heart tell a linear story of growth. The following reviews are based on the lyrics and themes as presented in the provided source material.

  • Prologue ~drift ice~: A serene instrumental that sets the stage, evoking the vast, icy landscapes of Hokkaido and the beginning of a journey into the unknown.
  • たいしたもんだよ (Taishitamondayo): A poignant self-reflection on a life at a standstill. The lyrics, “That’s amazing,” are not a grand declaration, but a quiet, honest acceptance of one’s own struggle, acknowledging that simply existing is a brave and worthy act.
  • 台風の目 (Taifunome): This track delves into the chaos of internal conflict. It’s a powerful metaphor for battling one’s own demons—the “deep fog” and “mocking voices” that cloud judgment—and the struggle to find clarity amidst inner turmoil.
  • 日日 (Hibi): A sobering commentary on the disillusionment of finding “the right answer”. It questions the purpose of living in a world of manufactured consensus, exploring the emptiness that follows when one loses their own path.
  • 君の目を見てると (Kimi no Me o Miteru to): A tender, unrequited love song that serves as a moment of yearning. It captures the bittersweet desire for a unique connection, a glimpse into another’s soul that makes the world feel vibrant, even if that feeling isn’t returned.
  • 剣とパレット (Ken to Palette): The album’s central anthem. It is a powerful call to action, urging the listener to fight for their own truth (“sword”) and to create their own life (“palette”). It’s a defiant rejection of societal pressure and a celebration of self-determination.
  • オテテツナイデ (Otete Tsunaide): A critical reflection on the modern world’s carefully curated “happiness”. It questions the authenticity of a life guided by algorithms and “likes,” and the comfort of a world where genuine human connection is replaced by convenient recommendations.
  • すれ違ってしまった人達へ (Surechigatte Shimatta Hitotachi e): A gentle, melodic offering of empathy. It’s a song for all the people who have crossed our paths—those we knew and those we didn’t—acknowledging the shared human experience of fleeting connections and offering a quiet, warm sense of solidarity.
  • 明日で待ってて (Wait for Me Tomorrow): A hopeful track that reinforces the theme of connection despite physical distance. It reassures that even when separated, people share the same sky and can support each other, offering a promise of a future reunion.
  • 最初で最後の素敵な恋だから (Because This Is My First and Last Wonderful Love): A grand, climactic love song that soars with emotion. It speaks to the transformative power of love, capable of redefining one’s past and giving profound meaning to the future. It’s a declaration that this unique love is the only one that truly matters.
  • いつか僕らは ~I Left My Heart in Rausu~ (Someday We…): The lyrical conclusion, a poignant tribute to his hometown. It’s a bittersweet reflection on childhood memories that have shaped him, serving as a promise to carry the spirit of Rausu with him as he navigates his future.
  • Epilogue ~evening calm~: A peaceful instrumental that brings the journey to a close. It feels like a return to the natural tranquility of the beginning, but with a new sense of peace and wisdom, a calm after the emotional storm.

Motifs & Symbols: Weaving a Luminous Narrative

The lyrics are rich with recurring motifs that tie the album together, creating a unified and deeply personal experience.

  • Contrasts: The most prominent theme is that of contrast. This includes:
    • Loneliness vs. Connection: The album begins with the profound isolation of “Taishitamondayo” but culminates in the shared melodies of “Surechigatte Shimatta Hitotachi e” (To the People Who Passed Me By), suggesting that understanding and empathy can bridge the gap.
    • Light vs. Darkness: The “quiet sunset” and “deep fog” of the early tracks give way to the “colorful and dazzling” world of “Otete Tsunaide” and the bright “tomorrow” of “Ashita de Mattete,” illustrating a movement from internal darkness to outward hope.
    • Weakness vs. Strength: The self-doubt expressed in “Taishitamondayo” is transformed into the resolute strength of “Ken to Palette,” showing a progression from self-criticism to radical self-acceptance.
  • Recurring Symbols:
    • Time and Seasons: The album is marked by the passage of time, from the “sunset” of “Taishitamondayo” to the “coming of spring” in “Saisho de Saigo no Suteki na Koi Dakara” and the fluctuating “seasons” within someone’s eyes in “Kimi no Me o Miteru to”. This temporal progression mirrors the protagonist’s own journey of maturity.
    • Memory and Home: The motif of memory and home, particularly Rausu, serves as an emotional anchor. The “scenery you were drawing” in “Ashita de Mattete” and the “memories of that day” in “Itsuka Bokura wa” are not merely nostalgic; they are forces that propel the future, providing a stable foundation for a constantly changing world.

Why This Album Matters

69 Jewel Beetle is a significant artistic statement because it transcends the traditional debut album. It is a work of profound sincerity that resonates with listeners because they can easily relate their own experiences to its emotional depth. It is not a collection of songs but a cohesive, lyrical journey that is both personal and universally applicable. The album’s gentle, poetic quality and its philosophical core—encouraging self-acceptance and connection in a complex world—make it a powerful and timely message.


Conclusion

Mori Yamato’s 69 Jewel Beetle is a brilliant portrait of an artist at a pivotal moment in his life. It captures the transition from youth to adulthood, from a world of solitary contemplation to one of shared human experience. The album’s success lies in its narrative cohesion and its poignant use of recurring motifs that beautifully illustrate the struggle for identity and connection. It is not just a debut but a “masterpiece” that serves as his origin and foreshadows a brilliant, evolving future. It is a rare gem, and its multifaceted brilliance is a light for anyone navigating their own journey.

Citations

Mori Yamato “Otete Tsunaide” | toyodasha.org, https://toyodasha.org/2023/06/02/moriyamato/
Mori Yamato’s 1st Album Release Announced, Hama Okamoto: “His music, at one with his instrument, is a rarity” – Natalie, https://natalie.mu/music/news/523176
Introducing Guitarist / Singer-Songwriter Mori Yamato!|A-Sketch – note, https://note.com/a_sketch/n/n1983debd78e9
1st Album “69 Jewel Beetle” – Mori Yamato, https://www.yamato-mori.com/discography/album-69jewelbeetle/
Mori Yamato’s 1st Album ’69 Jewel Beetle’ to be released on May 31, with endorsement comments from Hama Okamoto (OKAMOTO’S) and others | Daily News | Billboard JAPAN, https://www.billboard-japan.com/d_news/detail/124780
Mori Yamato Talks About His 1st Album, Which Casts a Stone on J-POP: From His Path as a Guitar Kid to Finding His Own Emotional Expression – Real Sound, https://realsound.jp/2023/05/post-1338142.html
Young Guitar Prodigy Mori Yamato Talks About His Album Full of Guitar’s Joys…, https://guitarmagazine.jp/interview/2023-0714-yamato-mori/
Turning 20, Moving to the Next Stage. Mori Yamato, First One-Man Live …, https://note.com/a_sketch/n/n2be2329b2bd7
Mori Yamato “Surechigatte Shimatta Hitotachi e” Lyrics – Uta-Net, https://www.uta-net.com/song/321517/
19-Year-Old Mori Yamato’s New Song “Surechigatte Shimatta Hitotachi e” … – A-Sketch, https://www.a-sketch.com/information/mori_news_220630/
Mori Yamato “Taishitamondayo” Lyrics – Uta-Net, https://www.uta-net.com/song/338055/
Mori Yamato’s Song World: Weaving Gentle Music with Acoustic Guitar in Nature|ARC K …, https://note.com/kake_ne01/n/n0ffbfaac2fb5
Mori Yamato’s First Tour 【Mountain & Forest】Tokyo Performance Report, with a Heart for His Hometown | Daily News | Billboard JAPAN, https://www.billboard-japan.com/d_news/detail/132184/2

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